For those of us who care for an earth not encompassed by machines – a world of textures, tastes and sounds other than those that we have engineered – our task is that of taking up the written word, with all its potency, and patiently, carefully writing language back into the land. Our craft is that of releasing the budded, earthly intelligence of our words, freeing them to respond to the speech of the things themselves – to the green uttering-forth of leaves from the spring branches. It is the practice of spinning stories that have the rhythm and lilt of the local soundscape, tales for the tongue, tales that want to be told, again and again, sliding off the digital screen and slipping off the lettered page to inhabit these coastal forests, those desert canyons, those whispering grasslands and valleys and swamps. Finding phrases that place us in contact with the trembling neck-muscles of a deer holding its antlers high as it swims toward the mainland, or onto the ant dragging a scavenged rice-grain through the grasses. Planting words, like seeds, under rocks and fallen logs – letting language take root, once again, in the earthen silence of shadow and bone and leaf.
The rain surrounded the cabin…with a whole world of meaning, of secrecy, of rumor. Think of it: all that speech pouring down, selling nothing, judging nobody, drenching the thick mulch of dead leaves, soaking the trees, filling the gullies and crannies of the wood with water, washing out the places where men have stripped the hillside…Nobody started it, nobody is going to stop it. It will talk as long as it wants, the rain. As long as it talks, I am going to listen.
~~ Thomas Merton
Our strictly human heavens and hells have only recently been abstracted from the sensuous world that surrounds us, from this more-than-human realm that abounds in its own winged intelligences and cloven-hoofed powers. For almost all oral cultures, the enveloping and sensuous earth remains the dwelling place of both the living and the dead. The “body” – whether human or otherwise – is not yet a mechanical object in such cultures, but is a magical entity, the mind’s own sensuous aspect, and at death the body’s decomposition into soil, worms and dust can only signify the gradual reintegration of one’s ancestors and elders into the living landscape, from which all, too, are born.
This cycling of the human back into the larger world ensures that the other forms of experience that we encounter – whether ants, or willow trees, or clouds – are never absolutely alien to ourselves. It is, paradoxically, this perceived kinship that renders the difference, or otherness, so eerily potent.
Gradually, then, our senses awaken to the world. We become aware of the thoughts that are thinking all around us – in the bushes, under the tumbled stones. As we watch the crows, our own limbs begin to feel the intelligence of feathered muscles adjusting to the wind. Our toes listen to roots sending capillaries in search of water, and our skin replies to the lichens radiating in slow waves across the surface of the upthrust bones of the hill. Walking along the pebbled beach, we notice the ground itself responding to our footfalls – the hermit crabs all diving for cover – and sense the many-voiced forest listening to us as we speak. And so we adjust our own speaking, taking new care with our gestures and actions…
Ah, not to be cut off,
not through the slightest partition
shut out from the law of the stars.
The inner – what is it?
if not intensified sky,
hurled through with birds and deep
with the winds of homecoming
~~ Rainer Maria Rilke
Excerpted from The Spell of the Sensuous, by David Abram.
A brief summary of animism at Anthropik.
At the height of the Renaissance, Rabelais cleverly inverted the monastic ideal – a life of labour and prayer – to explore the other Utopian extreme: hedonistic leisure amid inexhaustible abundance. At his fictitious Abbey of Thelème, the inhabitants comport themselves in a regal spendour that was clearly the stuff of fantasy in the early sixteenth century.
“The heathen in his blindness bows down to wood and stone.”



Aldo Leopold (1887 – 1948) was an American ecologist, forester and environmentalist. He was influential in the development of modern environmental ethics and in the movement for wilderness preservation. He has been called an American prophet, the father of wildlife management, and one of most strongest advocates for conservation.
Drawing from the entire corpus of Leopold’s works, including published and unpublished writing, correspondence, field notes, and journals, Flader places Leopold in his historical context. In addition, a biographical sketch draws on personal interviews with family, friends, and colleagues to illuminate his many roles as scientist, philosopher, citizen, policy maker, and teacher. Flader’s insight and profound appreciation of the issues make Thinking Like a Mountain a standard source for readers interested in Leopold scholarship and the development of ecology and conservation in the twentieth century.
Sometimes it’s the heart that is last to go, a knot of dense muscle still recognizable after the other organs have long since vaporized. Sometimes non-combustible material is found among the remains — prosthetic implants, dental filling sand unretrieved jewellery, mingling with hinges and nails from the coffin. Two hours at 900°C is usually enough to reduce us to our bare essentials, the chemicals, gases and minerals from which we originated.
No wonder, then, that the idea of natural burials is taking hold in North America. The movement promotes chemical-free burials in biodegradable containers to gently usher our bodies back into the ecosystem. Buried without embalming fluid, laminated wood, cement chambers, and sometimes even headstone markers, bodies disintegrate into flora- and fauna-dense surroundings, not only reducing the presence of chemical contamination and green-house gases, but providing nutrients for a healthy ecosystem. Though natural burials are offered as a service by some traditional cemeteries, there is a growing impetus for entire cemeteries built upon this concept.